![]() The planet, too, is born again when she dies, its halls and arenas reshuffled, with different threats and treasures to uncover. Then, Selene gasps awake back at the crash site, stripped of everything she’s acquired, save a few special items that have fused with her suit. ![]() ![]() Instead, it triggers a blur of dream imagery: sunlit fields, surging water, clutching tentacles. Death, it transpires, offers no escape from Atropos. The environment is littered with the broken bodies of her clones, some of which accompany audio logs ranging from terse scientific speculations to poetically deranged ranting. She’s equipped with a power suit that allows her to boost-jump and phase through hazards, blinking out and reappearing in a crackle of electricity.Īmong the first things Selene discovers is that she’s been here before, more times than she’s comfortable imagining. Fortunately, Selene is a capable fighter – Alien ’s Ellen Ripley with a dash of Samus Aran, star of Nintendo’s venerated Metroid series. Its crevices teem with hostile fauna, from ancient robots to colossal flying cthuloids that belch homing golden shards. The premise recalls Alien and Prometheus, as does this once-civilised world’s geography and architecture. The woman is Selene, a deep space explorer (vigorously voiced by Jane Perry with facial capture from Anne Beyer) who crashlands on the world of Atropos while investigating a mysterious signal. ![]() It’s hard to get your head around Housemarque’s new PlayStation 5 exclusive Returnal, but you could summarise it as a tortured conversation between a woman and a planet. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |